Liam Everett: If I could sleep I might make love. I'd go into the woods. My eyes would see... the sky, the earth. I'd run, run, they wouldn't catch me.
Altman Siegel is pleased to present the gallery's first solo show of new work by Liam Everett. Everett's diverse practice encompasses painting, sculpture and performance, which reference multiple artistic influences including dance, theater, and philosophy.
In one aspect of his practice, Everett makes paintings on Masonite panels, creating luminous abstractions through an elaborate process of layering and erasure. These works function at a different speed than his fabric paintings, which confound traditional methods of support. In these works, the fabrics are soaked, stained, dried and then carefully collapsed on various constructions that lean, cling to the wall and stand on the floor. Recent paintings on both free standing and shaped structures reflect the artist's interest in developing ways to expose the animate qualities of the still form and work with various sensibilities within the oeuvre.
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Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see... the sky,
the earth. I'd run, run, they wouldn't catch me., 2012-13
Installation view -
Liam Everett
To the Lower Place, to see if they are really there, and if they're all they're supposed
to be, 2012
Ink, acrylic, alcohol, sea salt on wool with wooden beams
96 x 38 in243.84 x 96.52 cm
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Liam Everett
The threshold question that arises in connection with the concept of establishing a language without the problem of speaking, 2012
Ink, acrylic, alcohol, sea salt on wool with wooden beams
96 x 38 in243.84 x 96.52 cm
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Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see... the sky,
the earth. I'd run, run, they wouldn't catch me., 2012-13
Installation view -
Liam Everett
The remains of gardening plans, gathered to ensure the space necessary for the event characterized by an uncertain departure, 2012
Ink, acrylic, alcohol, sea salt on organza with wooden beams, ceramic, cotton, and wooden dowel
96 x 38 in243.84 x 96.52 cm
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Liam Everett
Subsequently engaged in various forms of intent without the burden of foresight, 2012
Ink, acrylic, alcohol, sea salt on wool and wooden beams
96 x 38 in243.84 x 96.52 cm
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Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see... the sky,
the earth. I'd run, run, they wouldn't catch me., 2012-13
Installation view -
Liam Everett
Always inside a world where the light discloses the structure that shows us the 'movement' of always falling, 2012
Ink, acrylic, alcohol, sea salt on organza with wooden beams, ceramic, cotton, and wooden dowel
96 x 38 in243.84 x 96.52 cm
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Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see... the sky,
the earth. I'd run, run, they wouldn't catch me., 2012-13
Installation view -
Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see... the sky,
the earth. I'd run, run, they wouldn't catch me., 2012-13
Installation view -
Liam Everett
Untitled, 2012
Ink, acrylic, alcohol and sea salt on Masonite panels
24 x 18 in60.96 x 45.72 cm
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Liam Everett
Untitled, 2012
Ink, acrylic, alcohol and sea salt on Masonite panels
24 x 18 in60.96 x 45.72 cm
-
Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see... the sky,
the earth. I'd run, run, they wouldn't catch me., 2012-13
Installation view -
Liam Everett
Untitled, 2012
Ink, acrylic, alcohol and sea salt on Masonite panels
24 x 18 in60.96 x 45.72 cm
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Liam Everett
Untitled, 2011
Ink, acrylic, alcohol and sea salt on masonite
24 x 18 in60.96 x 45.72 cm
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Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see... the sky,
the earth. I'd run, run, they wouldn't catch me., 2012-13
Installation view -
Liam Everett
Mood brings one to its there, alongside and upon, 2012
Ink, acrylic, alcohol, sea salt on flannel over wooden stretchers
95 1/2 x 23 3/4 in242.57 x 60.33 cm
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Liam Everett
Being towards the end, near and remote, 2012
Ink, acrylic, alcohol, sea salt on burlap over wooden stretchers
96 1/2 x 24 in245.11 x 60.96 cm
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Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see... the sky,
the earth. I'd run, run, they wouldn't catch me., 2012-13
Installation view -
Liam Everett
The way we slip over from one to the other, there and no where, 2012
Ink, acrylic, alcohol, sea salt on linen over wooden stretchers
80 x 32 in203.2 x 81.28 cm
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Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see... the sky,
the earth. I'd run, run, they wouldn't catch me., 2012-13
Installation view -
Liam Everett
Belonging to 'it', how one is and how one is faring, 2012
Ink, acrylic, alcohol, sea salt on linen over wooden stretchers
85 1/4 x 34 in216.54 x 86.36 cm
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Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see... the sky,
the earth. I'd run, run, they wouldn't catch me., 2013
Installation view -
Liam Everett
Killing floor (or a proposed action plan), 2012
Ink, acrylic, sea salt, alcohol, lemon extract on wool draped on wooden beams and wooden saw-horses
32 x 34 x 96 in81.28 x 86.36 x 243.84 cm
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Liam Everett
If I could sleep I might make love. I'd go into the woods. My eyes would see... the sky,
the earth. I'd run, run, they wouldn't catch me., 2012-13
Installation view -
Liam Everett
Untitled, 2012
Ink, acrylic, alcohol and sea salt on masonite panels
24 x 18 in60.96 x 45.72 cm
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Frieze
Frieze, Dec 13, 2012 This link opens in a new tab. -
Liam Everett's ghostly fabrics at Altman Siegel
San Francisco Chronicle, Dec 7, 2012 This link opens in a new tab. -
Visual Dynamic: Artist Liam Everett
Yareah Magazine, Dec 1, 2012 This link opens in a new tab. -
Liam Everett
Visual Art Source, Nov 15, 2012 This link opens in a new tab. -
Liam Everett at Altman Siegel, San Francisco
San Francisco Arts Quarterly, Nov 5, 2012 This link opens in a new tab. -
Artforum
Artforum, Nov 1, 2012 This link opens in a new tab.